The current mayor of Huntingdon, Mr. Stephane Gendron, offered to accept the law that will ban children’s presence on streets after 10.30 p.m. and till 6.00 a.m. He even presented several rather strong evidences that were able to support his suggestion and prove that his idea was good and effective enough.
Children younger 16 are not actually able to response for each of their actions and cannot comprehend how serious the consequences of their actions can be; the cases of teen vandalism become more and more frequent, this is why it is crucially important to start doing something to stop vandalism and help children find out the right way. Many people rejected this idea and underlined the idea of ageism, inequality, under which teenagers suffer. On my opinion, such kinds of laws are really helpful and have to be offered oftener; it is not very easy to control children nowadays, this is why it is possible to control them, using some legal concepts.
I truly believe that modern youth makes numerous attempts to demonstrate own maturity and life experience by means of power and some abilities, which may be inherent to adults only. For example, some teenagers like to leave some marks on local sights in order to make their words noticeable.
Passing by the monument, where some words or slogans are presented, young people underline the fact that it was they, who put these words on the monument and demonstrate their devotion to the chosen affair. As a rule, such activities are inherent for night times. When it is light, children can hardly break a branch or demonstrate their painting abilities or excellent spelling.
Teenagers should accept this idea as something that may underline their inequality in comparison to elderly people. Of course, youth wants to feel freedom as soon as possible and become involve into the affairs of grown up life.
However, it is also necessary to underline that many children all over the world are deprived of the opportunity to enjoy their childhood and be as naive and irresponsible as possible.
Get your 100% original paper on any topic done in as little as 3 hours Learn More Youth does not want to think about the consequences of their actions, does not want to believe that their interests and hobbies are not that safe, and does not want to accept the truth that their parents are usually right. From numerous psychological and sociological perspectives, the driving forces, which promote young people take risky steps and suffer from injures, are born somewhere inside of human mind and grounded on the relations within a family.
If a family provides a child with the necessary care and support, tries to comprehend teenager’s demands, and wants to help him/her, the child will never consider the idea of being at home at 10.30 as a threat or challenges concerning age inequality.
Adults usually care about children and teenagers, and in their turn, teenagers should be smart and mature enough to comprehend it and support those adults, who help them to take the best from this life.
Online sources The article by Stephen Fine is a good source about Canadian youth culture and the ideas of how to control teenagers. https://hollowscamp.ca/
The article from the Canadian Press shows how effective the ideas of the current mayor can be. https://www.breitbart.com/
Report of an Orchestra Concert Essay
Nursing Assignment Help The orchestra concert I have to evaluate and discuss is exciting and unique because it represents a beautiful combination of the works by such great composers like Strauss and Tchaikovsky, Schoenberg and Barber. Their compositions are magnificent indeed and make their listeners enjoy each sound and each instrument.
Richard Strauss’ Serenade in Eb for Winds, Op. 7 is a generous combination of 13 winds: flutes, clarinets, oboes, bassoons, and one contrabassoon. The genre of chamber music that is inherent to this very composition provides the listener with a chance to be involved in a new world, full of emotions and feelings. This serenade is performed in major, and the use of compound meter makes it possible to hear polyphonic motives, which cannot leave indifferent any person, however also prove Straus’ lack of experience with the use of double bass that has to support the final accord. While listening this composition, I imagine that I open a door and enter a new world, where nature fights with people and tries to persuade that it is essential to respect each living being in this world, and at the end, a kind of alternative is achieved, where people start enjoying and respecting nature and the world they live in.
Samuel Barber’ Violin Concerto, Op. 14 is one of the greatest compositions, created at the end of the 1930s. The whole composition lasts 22 minutes and is divided into three amazing movements, characterized by different forms: Allegro molto moderato, Andante sostenuto, and Perpetuum mobile. The first movement introduces the violin solo in the sonata form, and the piano background serves as an appropriate addition to the story, offered by the violin. Fantastic tone and captivating intonation learn how it is necessary to be consistent with each move and with each breath. Although the movement is lyrical and minor, it properly follows each concerto tradition and represents a monophonic motive that captures ear and mind.
Variations on a Rococo Theme, Op. 33 by Peter Tchaikovsky is unique dues to its composer’s unbelievable approach to its creation. Two versions of this composition were offered by Peter Tchaikovsky: one for cello and orchestra of 18 instruments, and another for cello and piano.
I got a chance to listen to the second version and be amazed by its structure, form, and motive. The major key, moderate tempo, and homophonic motives make this composition pleasant to listen and analyze. This version is quicker and faster than the version for cello and orchestra; the sequence of variations is changed, and the structures are alerted. The motives remind me of a kind of play between a cat and a mouse, where the result of this game is hard to predict.
Arnold Schoenberg created a wonderful composition Verklarte Nacht in 1899, basing on Richard Dehmenl’s work of the same name. It was for violas, violins, and cellos. However, with time it was revised for string orchestra, and in 1943, a new version of composition Verklarte Nacht: String Orchestra Version appeared.
This arrangement for string orchestra consists of four movements: grave, pocco adagio, adagio, and motto tranquillo. The genre of classical music opens for me in a new world, because its forms and motive provoke the most unexpected feelings. A major key and dynamics of composition underline the use of compound meter and the cooperation of several violins and cellos.
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