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Comparison of UK and Indian Cultures

Introduction
In this era of globalization in business environment, companies are expanding their business all over the world, i.e. in different countries and each of them with different cultures. One area in particular of growing importance is intercultural management skills. Culture in international business nowadays is recognized to have a major role to play in the international sales, marketing, recruitment, management and mergers.
“In short, culture is behind everything we do or say.”
(www.kwintessential.co.uk)
Therefore, in the international and multi-cultural business community, there are very much possibilities of misunderstandings which can have a negative effect on the people which will intern affect the productivity of the organization. This complexity requires a manager to adapt in order to offer modern solutions to these problems. (www.kwintessential.co.uk)
Culture is:
Something shared by all or almost all members of some social group.
Something older members of a group try to pass to younger members.
Something (as in the case of morals, laws, and customs) that shapes behavior, or structures one’s perception of he world.”
Therefore culture is all that one needs to know in order to be accepted in a society or an organisation which is a sum total of all the beliefs, values and norms shared by a group of people who have been brought up in a society to think, feel, interpret and react in a particular manner. Or it is a human need of adapting to circumstances and transmitting these skills and knowledge to the next generations. It can also be said as culture as mental programming is also crystallization of history in the hands, minds and hearts of the present generation. (Hofstede, 2001).
This essay will talk about the cultural difference between India which is my home culture and UK which is the counterpart. I have chosen UK because I have been to UK for my Supervised Work Experience (SWE) and during my stay in UK I never paid attention towards the UK culture dimensions and would now like to analyze with respect to the different models. But before that lets have a look at some customs or values that are followed in these countries:
India – Hinduism
Social freedom amongst the sexes is not appreciated.
Use of first name to address people is avoided.
The method of greeting depends on the social status of the person you are meeting i.e. if a son is meeting his father usually he greets him by bowing down and touching his feet. Where as educated people, in business meeting shake hands to welcome or greet each other.
If invited for dinner one may only have the dinner with the business partner and not the whole family and do not get upset if you host asks you several times to have some more food. It is Indian custom to make sure that the guest does not get up hungry from the table. Also at the table one should use the right hand in passing food as Indian consider left hand as impure.
UK:
British people are formal, sophisticated, value privacy and are sensitive.
Within UK controlled business environment, maintain decorum and avoid casualness in dress and conversation, loudness and shouting is too taboo.
Family names and first name are preferred.
British people are good negotiators as they are tolerant and good listeners.
Fine manners and good etiquette are expected at all social occasions.
Gift giving is not a normal custom in UK.
(Harris, 2004

Relationship between Architecture and Fashion

The body can be seen and thought of as a machine, a vehicle, as well as a building. Therefore it could be stated that dressing of an individual provides a definition of personal space as do architectural structures though they are bigger in scale. Fashion and architecture have many connections: they both aim to “make” shelter for the human being and reflect our taste. In this concept, it is widely accepted that fashion and architecture relation started with the earliest men who used the same material for their clothing and for housing/shelter. This relationship has lead closer connections between the two disciplines, such as, both fields have commonalities in their design process which makes them share the same boundaries: Both architects and fashion designers aim to create perfect, comfortable and beautiful forms for the human body.
On the other hand, Architecture and Fashion differ in many ways, such as, Fashion is inevitable to die in shorter time than architecture, it is related to smaller scale, and most importantly, Fashion is more about marketing and consumption while Architecture is monumental and relates to eternity. These differences altogether create a thread of commodification and commercialisation for Architecture. Architecture acts as a shaper of space, i.e., it acts as a symbolic metaphor and an agent of the society’s cultural values. Since the outer space reflects our inner spaces, this commodification and commercialisation might lead Architecture to lose its mission in the social life. Therefore this work suggests that Architecture should get engaged in human spaces, traditions and cultural values of the society, sustainability, eternity, and wholeness of the life, rather than temporality of fashion.
This Master’s Dissertation aims to explore the relationship between Architecture and Fashion from conceptual, imagery, materiality and global perspectives. This study proposes that in today’s highly globalised world, it is almost impossible to practice architecture separate from fashion since both arts are responsive to the individuals’ and the societies’ culture and environment. In a conceptual sense, both Architecture and Fashion address psychological perceptions, and spatial structures. From the imagery – visual view of point, both arts reflect the taste of the individuals who occupy those spaces, and from the materiality context, Architecture and Fashion have many in common, such as, use of fabrics and materials, use of technology, and from the global point of view, both arts and artists in these fields have an opportunity to interact closely with each other in especially socially responsive, more sustainable, and economical design. The work sets out to explore the role of Fashion in Architectural design and visa verse from exploratory and interpretive perspectives, presenting preliminary findings from the literature survey, visual materials, manifestos of the designers, and personal observations and interpretations. This study differs from the previous studies in the sense that although much of the literature finds out that the relation between Fashion and Architecture is almost a must and inevitable occurrence, and they propose closer relationships, this study proposes that this fact creates a risk for Architecture to depart from conceptualisation and to move towards commercialism and commodification.
In this way, architecture becomes a consumer production, rather than the interpretation of the space. This thesis is further developed to design our “Fashionable Hut”. Architecturally, we aim to represent the timeless architecture tailored according to the timeliness of the contemporary era.
Introduction
The close relationship between Architecture and Fashion (hereafter A

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